Episode Transcript
[00:00:00] Speaker A: What's going on, y'all? Corpus Christi Originals back coming to you live from the Produce Stream Lab Studios, Produce Sound Studios downtown Corpus Christi, Texas. Y'all know what it is. We got DJ Lil King in the house, along with Droopy Marinez. What's up, fellas?
[00:00:13] Speaker B: What's going on? What's good? What's good? What's good?
[00:00:15] Speaker A: Yeah. Appreciate you guys being in the YouTube chat. Victoria Frank and The Block Bleeders.
Yeah. So what's going on, y'all? Y'all doing all right? Yeah, he's sharing the stuff on.
[00:00:30] Speaker B: Everybody out there was good.
[00:00:32] Speaker A: So we were debating whether to do Facebook monetization or YouTube monetization.
What do you guys think?
[00:00:38] Speaker B: Both.
[00:00:39] Speaker A: Both?
[00:00:40] Speaker B: Shit, we trying to get that TikTok monetization.
[00:00:42] Speaker C: I'm trying to get back over now.
[00:00:43] Speaker B: And the switch. Everything she got to do. Modest dreams of streaming income. Shit.
[00:00:49] Speaker C: You think TikTok pays more, though? That's why I. Diesel. Yeah.
[00:00:54] Speaker A: From what I see, man, I guess. I guess, cuz I don't really have experience with it and I really don't know how we would go. You know what I mean?
[00:01:02] Speaker B: Yeah, you know, I mean, and then.
[00:01:04] Speaker A: And then I figured if you put it all in. If you put it all in one instead of just doing, like, a bunch of. I don't. That's just my thought.
[00:01:11] Speaker B: Well, the thing is, you can't put it all in one. That's what sucks. Unless they come out with some program where you can't put it all in one. But you. Like, I'm talking, like all the. Like where there's a program where you could just, how could I say? Monitor everything all in one program. Like your Facebook monetization, your YouTube monetization, your twitch monetization, and your. Whatever else you trying to monetize on, you know, sans.
[00:01:34] Speaker A: Yeah.
[00:01:35] Speaker B: If they put it all in one place, that would be dope as hell.
[00:01:37] Speaker A: Yeah, I don't like that Facebook like you. They want you to get ads. Like, it seems like they.
[00:01:42] Speaker B: That's how they make their money and that's how you make your money was.
[00:01:45] Speaker A: Yeah, right.
[00:01:46] Speaker B: That same thing with YouTube, though.
[00:01:48] Speaker A: Well, I don't think that you have to pay for it. Well, yeah, I mean, you. You can't. I think. Yeah, I mean, it could go both ways, too, because, like, Facebook doesn't want you to. Facebook doesn't. They want you to stay on their platform.
[00:02:00] Speaker B: Yeah.
[00:02:00] Speaker A: If you put a YouTube video on there, they're not gonna, you know.
[00:02:03] Speaker B: Yeah. From. Really promote the way it used to be back in 2006, 2007.
[00:02:07] Speaker A: Exactly.
[00:02:08] Speaker B: Hell yeah.
[00:02:08] Speaker A: Yeah.
[00:02:09] Speaker B: Yeah.
[00:02:09] Speaker A: So I don't know. That's why, that's why I decided to go over to YouTube just to help with the monetization to see because like I said, I had a personal channel to where I've grown like 7000 followers just on my programming videos. And then it got monetized and I was getting like a check every month, $300 or something like that. It's not much, but, but just that much.
I mean, it's cut. It helps out a little bit. And then I was like, let me just do that with, with my, my podcast. Do it that way because I've already experienced in that sense. And I did start it, the podcast on Facebook.
[00:02:43] Speaker B: Yeah.
[00:02:44] Speaker A: And I did get some, you know, monetization. I got like $2 or something just recently. I looked at it on my email or something like that.
[00:02:52] Speaker B: So you are monetized on your Facebook already?
[00:02:55] Speaker A: Yeah, yeah. I just decided to go to YouTube just because I've had experience with it and I figure that I can grow following quicker that way.
And the way that I'm doing it is I'm putting a link to every video. Like if I make a reel, you know what I'm saying? Or even like Instagram Stories, most people look like look at Instagram Stories up. You can put a link on there.
[00:03:16] Speaker B: Yeah.
[00:03:17] Speaker A: So put the link on there, over there or whatever. So that, and since I've done that, the subscribers will go up and I think, I don't know sand since I do that, they know where I'm at now. Okay. He's not on Facebook. He's not here.
[00:03:30] Speaker C: He's.
[00:03:31] Speaker B: Yeah.
[00:03:32] Speaker A: And you know, and then the audio version if they wanted. I haven't figured out how to monetize on there. So I think sponsors is how I'm doing it for the audio version and.
[00:03:41] Speaker B: That'S what are using for that.
[00:03:45] Speaker A: I'm using castos, that's my hosting platform for the podcast.
And then it shoots it to Spotify Apple, Amazon.
[00:03:57] Speaker B: Yeah, yeah.
[00:03:58] Speaker A: All those places I serve in. What's up, man?
[00:04:01] Speaker B: Yeah, what up? My dog Kai serving rod, not podcast member. What a freak, man. I see you out there.
[00:04:05] Speaker A: Yeah, yeah, man. So your girl, did you get it through Johnny Dang or what?
[00:04:10] Speaker B: My bottom one I did. My top one I got from Trace boogie. Shout out to Trey Florida. Is trace boogie boogeyman grills over there. I jazz. So yeah, he did my top one for me back in like 2021 during.
[00:04:22] Speaker A: Like the COVID They give you like an impression. You put it on, yeah.
[00:04:25] Speaker B: Hell yeah. Like a mold. He did, like a whole mold, an impression of, like, my teeth. And then I had to wait for, like, a couple of weeks, and then it came back.
[00:04:32] Speaker A: My brother got. My other brother got one. He's like, how you like my grill? It's the one. It's a platinum look stilber, but it's gold or whatever.
[00:04:38] Speaker B: White girl.
[00:04:38] Speaker A: Yeah. Why do you got it from? Dang, like a kit or whatever? Put it on? Yeah, you could actually.
Yeah, yeah.
[00:04:47] Speaker B: Everybody's like, is it permanent? Is it permanent? Like, I don't. Man. My regular teeth are too pretty to do a permanent.
[00:04:53] Speaker A: I was thinking that. I was like, man, it looks sweet, but I don't want to mess up my. But I know you could do it like that.
[00:04:58] Speaker B: Hell yeah. It just goes over your regular tsheet. I wouldn't. I wouldn't. Gonna shave my teeth down or nothing like that.
[00:05:03] Speaker A: Right out, man. So how's the pack? How's the podcast going for you guys, man?
[00:05:06] Speaker B: Real good. Really starting to jump, man. All that negative energy kind of turned into a positive outcome for us on some real shit.
[00:05:12] Speaker A: Negative energy. Oh, okay. What do you think?
[00:05:15] Speaker C: Nah, did, man. I really did. I mean, the numbers went up, though.
[00:05:18] Speaker B: Yeah. Like a motherfucker. Like. But people love fucking controversy, that shit. Like it, man. At that point, we're average, like, say, averaging damn near like 100, 200 followers a day for like a week just off of just.
That went downhill. Yeah.
[00:05:35] Speaker C: But the thing is, it brought. It brought everybody to the concept. Not everybody sees the concept that all these motherfuckers are actually pretty cool.
[00:05:42] Speaker A: Smart, dude.
That's awesome. A mind. Be sure to check King's mic. He's kind of sitting away from it. Just keep. Keep kidding. Monitor that. All right.
Yeah, that's awesome, man. And I was thinking, I just posted a reel of Michael White, and there's a. A word that he. That I put on there that was. It says. He said impact, but I put impact on there.
[00:06:06] Speaker C: Yeah.
[00:06:06] Speaker A: And I don't know, this is somewhere to, like, if you put, like, a misspelled word, like, in a reel or something, that people would actually. Oh, this guy spelled it wrong and then generates, uh, engagement on just. Just like, you know what I mean? It's crazy how. How you can get engagement. So that's awesome, man.
[00:06:22] Speaker C: Yeah. Those are different tricks with algorithm.
[00:06:23] Speaker B: Yeah, yeah, it's all about that. That's what you got to figure out. Once you get the algorithm to figured out a, you got the game sold up.
[00:06:29] Speaker A: Shit.
So are you looking for, like, more controversies at the. At the moment.
[00:06:35] Speaker B: Honestly, bro, I don't. I don't like controversy. Like, I don't really like doing that drama shit. I like to avoid shit. Like, I. Like, I have mutual relationships with, like, everybody in the city, from, like, artists to video people to producers, and this a lot of people that I know that don't like each other, but that ain't got nothing to do with me. Shit. I ain't winning. High school ain't no little ass. Hey, if you don't talk to them, don't. If you talk to them, don't talk to me. Yeah, they call me the mayor for a reason, bro. You know what I'm saying?
Like, I don't get into that shit. Like, I just keep mutual relationships with everybody type shit.
[00:07:08] Speaker A: Where did that come from to begin with, man?
[00:07:10] Speaker B: My homeboy, Marcus Lavelle, gave me that name. And I want to say. Cause, man, I can't remember what year it was, but I was just putting in so much work for, like, the local corpus scene. Like, doing a whole bunch of events, doing, like, a bunch of corpus projects, just, like, promoting the corpus shit real good. One day, he just started calling me the mayor and shit. A couple other people started calling me that shit, and that shit just stuck. I started running with this shit.
[00:07:34] Speaker A: How do you just forget about it, bro? Cuz I'm thinking that, too. Like, I'm trying not to be biased also, you know, having different people, you know what I mean? And on the podcast, and it's like, eventually. Eventually they'll put you on a side, and you're not even on. You're not. You didn't even pick a side.
[00:07:51] Speaker B: Yeah.
[00:07:53] Speaker A: You feel that? Like, whenever you're, like, you're doing your.
[00:07:55] Speaker B: Thing, man, I feel like if people are on shit like that, then they just ain't for me. Like, if you. If that's. That's what you want to be on, then, like, we got our own wave going on. Like, either be down with this or don't. If you ain't down with this, a no, no hard feelings. You know I'm saying? But if you would. If you work down with this or fuck with us, came on our show, that. That would be cool. You know, saying, but if you ain't down with this shit, no hard feelings. She's much success. You know, saying, we just. We probably could do something that could mutually benefit both of us if it came down to it. But if motherfucker want to act funny about them being on the show or some shit, then shit, fuck it. Like, that's just what it is. Wow, man, how many more outlets is it is that's really going to give people like opportunities besides you, us and she. Who else is really doing hip hop base? And you ain't even a hip hop base podcast, you know what I'm saying?
[00:08:45] Speaker C: You just, yeah, you're covering the whole.
[00:08:46] Speaker B: You cover the whole thing. You just have hip hop artists and different artists on your shit. We really like the only hip hop base podcast here. So if you shooting us down, you shooting yourself down.
[00:08:55] Speaker A: She yeah.
Do you ever feel, do you ever feel like you're getting, you get tired or because you got to be consistent, right? Obviously, yeah. You ever feel like burnt out, like, I don't want to do it this week or like, how do you find.
[00:09:09] Speaker C: Yourself every day, bro?
[00:09:10] Speaker B: So how do you get.
[00:09:11] Speaker A: Yeah, how do you get past that? Because I was feeling like that this week. I was like freaking tired, work and everything. And I was like, but I gotta be, I gotta be consistent, you know.
[00:09:21] Speaker C: It'S gotta be a party, it's gotta be a part of your routine, bro, you know what I'm saying? Regardless, it has to be there though. You have to have that discipline just to keep pushing through it, regardless of the fact of what the hell is going on in your life, you know what I'm saying? Cuz I, all of us got lives, you know, he guys got kids, I got kids, you got kids, you know what I'm saying? You got work, got jobs, everything that they're aver. I wanted to lay inside my bed right now, chill. You know what I'm saying?
[00:09:43] Speaker B: On the real, man, I feel like it's easy for me to balance it because I got studio right next to my house type shit. But the thing is, like doing, if I'm sitting there doing interviews Monday, Tuesday, Wednesday, Thursday, like that wears me out. But me just, if I have to jump in on the news on Monday, I'll jump in. But if they come in and cover the news, so at this point, it's just basically running production. Whenever freak ain't available to run the production, I'm back to running the production and shit. To me that's just fun. Like, it ain't like, fuck, I gotta go run production for the sports today. I gotta run production off the cushion. Like that's just, to me, the production part is fun. Shit. Yeah, yeah, as hell to do the production. Like he's in back there having fun.
[00:10:21] Speaker A: Shout out, Maya back there already. Oh yeah. Do you have the, the rodecaster or.
[00:10:26] Speaker B: Yeah, the rodecaster pro. Yeah, that's the interface that we use.
[00:10:29] Speaker A: Nice. Yeah, I was thinking of getting one for like calls. Have you, have you considered doing that?
[00:10:33] Speaker B: We've tried it. We haven't done it yet, but we have tried it whenever we first.
[00:10:38] Speaker A: How's it work?
[00:10:38] Speaker B: Like you Bluetooth, your phone, actually, you bluetooth, we just did it the other day, but we did it with, we did it doing song.
[00:10:47] Speaker A: Oh, okay.
[00:10:48] Speaker B: So I bluetooth my phone to the road and you hear all the audio out of the headphones. Whenever I blew like we had to do rap over his song and what I did, I just played a song on, I downloaded his song and whenever I downloaded his song, I just played the audio and he rapped over it, which that was bluetooth from my phone to the interface and he was able to hear it in the headphones.
[00:11:07] Speaker A: Nice. Yeah, yeah. I was thinking of doing calls that way, but like how if there's somebody on hold, how you would maybe you put them on hold or whatever. But that's definitely an idea for sure.
[00:11:19] Speaker C: I mean, I think it's a bluetooth. I'm pretty sure you can just, yeah, press hold and you know, and then.
[00:11:25] Speaker B: On the interface it has the, the Bluetooth thing has its own volume and you could turn them, turn it on, turn it off, all that. It's badass.
[00:11:32] Speaker A: Nice. Jayhawk g seven sub dj lil King.
[00:11:36] Speaker B: What up Jayhawk? What up with it?
[00:11:38] Speaker A: Yeah. How did, how did you get that name anyway? Oh, I know King is related to your family, right?
[00:11:42] Speaker B: Well, that's actually my, my step grandfather. His name was Mister King, but that was like the only grandfather that I knew. So coming up, like my grandfather was a teacher at West Oso, in the west Oso school districts. And I was always running around with my grandfather as like a little youngster as a kid. So all the older kids that were like my grandpa's students, they would see me running around with my grandpa and even though I was like in 4th, 5th grade, they would just see me with him all the time and they would just say Lil King. Lil King. They didn't know my name so they would just call me Lil King even whenever I got to high school. By the time I got to high school I was like a freshman and some of them dudes were like seniors and they still didn't know my name. I would just be walking the halls and they'd be like, lil King, Lil King. So I just stuck with this shit. And even once they did figure out my name, they would just still call me Lil King.
[00:12:22] Speaker A: Shit. Wow. Crazy.
[00:12:23] Speaker B: Hell yeah.
[00:12:24] Speaker A: So he helped raise you. He helped raise you, right.
[00:12:27] Speaker B: Yeah, I moved in. I live with my biological parents from whenever I was born to like, I was like twelve. I moved in with my grandparents when I was like twelve.
[00:12:33] Speaker A: And your grandparents are the kings.
[00:12:35] Speaker B: Yeah, exactly. My grandparents are the kings, yeah.
[00:12:38] Speaker A: Oh, right on. So you're Boston is your real name or.
[00:12:41] Speaker B: That's my dad. Yeah, that's my biological, that's my dad. But like I moved in with my grandparents, that was with my mom's parents.
[00:12:47] Speaker A: Oh, okay.
[00:12:47] Speaker B: So whenever I moved in with my grandparents, like, that was like moving in with my mom's parents. And like I said, mister King was my actual step grandfather. That was my, that was my mom's stepdad. My mom's real dad got killed whenever I was two years old. You know what I'm saying? So I've all. I met my biological grandfather whenever I was young, but I'm saying he died when I was two. I don't have no visual memory. So the only visual memory of a grandfather that I have on my mom's side is Mister King.
[00:13:13] Speaker A: What was his last name, the guy, the one that passed away?
[00:13:15] Speaker B: Hughes. Earl Hughes.
[00:13:16] Speaker A: Okay, Hughes. Yeah. Hughes Boston King.
[00:13:19] Speaker B: Yeah.
[00:13:19] Speaker A: Nice. Yeah, I do. That's a dope name. Boston. I really like that.
[00:13:23] Speaker B: Everybody call me that. Yeah, I don't mind it. I don't mind, but it just remind me of some jailhouse ass shit.
[00:13:33] Speaker A: Yeah.
[00:13:36] Speaker C: Look at how Boston.
[00:13:40] Speaker A: Q, the Boston song.
Right on, bro. So girl. And you went to oh, so whoa. Oh, so. Right. Was it Carol first?
[00:13:49] Speaker B: And then also I went in high school. I went to. Well, see, I went to west also. Like through fifth grade, all the elementary. I mean, all middle school. And then freshman year I went to west also. The first semester and the second semester I went to Carol.
[00:14:05] Speaker A: Okay. Okay.
[00:14:06] Speaker B: And all this time that I was going to west. Oh. So even in middle school, I was always living in fucking like the south side and living in Crestmont. So I'm living on the south side. But being my grandpa, I was a teacher at West Oso. I would just ride to school with him every day. But I'm begging my grandparents and my parents every day, man, I want to go to Tom Brown. I don't want to go to Western. I want to go to Tom Brown. But I was like real athletic. I played basketball real good. Football real good. And they had, west also had like badass football program back then. Badass basketball program. And they just had it on their minds that we were going to be next. And we had it on our minds, too, that we were going to be next in line. But once the opportunity opened for me to go to Carol, those were like my neighborhood friends, none of them. When I was going to West Oso after school, I'm coming. West also is on the west side.
[00:14:48] Speaker A: Yeah.
[00:14:48] Speaker B: Whenever I get out of school, I'm coming over here to the south side. I don't see none of my classmates in my neighborhood. All my. All my neighborhood homies, they all go to Carol.
[00:14:56] Speaker A: Yeah.
[00:14:56] Speaker B: Like that type shit. Hell yeah.
[00:14:58] Speaker A: So did you want to go to Tom Brown because they had won the city city champ that one year?
[00:15:04] Speaker B: I wanted to go to Tom Brown because my best friend from elementary went to Tom Brown. And Tom Brown was the school that was in our district. It was at the tom brown of South park. And I didn't want to go to South park, so I wanted to go to the Tom Brown. But my people's like, how you gonna west also, we were good as hell. That was still so in football and basketball do.
[00:15:19] Speaker A: Yeah, I heard the stories shout out scoop dose in his podcast, man.
He had you on the podcast several times, which I try to find podcasts on people that invite on so I can get some kind of research, you know, to me.
[00:15:31] Speaker B: Did you find the one I did with Jupyter?
[00:15:35] Speaker C: It's on my YouTube.
[00:15:36] Speaker B: It's on yours like 3 hours long.
[00:15:38] Speaker A: Oh, my God. No, I don't think so, man. Damn.
[00:15:41] Speaker C: I should you the link.
[00:15:44] Speaker A: Yeah. Are you still doing yours? I asked you that before, right?
[00:15:47] Speaker C: Yeah, we're actually gonna. Me and him are actually gonna do a show together, man.
[00:15:54] Speaker A: Y'all gotta be in the mid, like, you gotta be doing it, right? Yeah, that's cool, man. Like we're talking about outside, how we're like in the same space.
[00:16:02] Speaker C: Yeah, we're in the same space, man.
[00:16:03] Speaker A: Space, you know, same, same type of thinking. I was talking to dusty too. We were in like a bands like in the late nineties, early two thousands, like new metal bandst. He was in one and I was in one. And he was on the podcast as well. He was talking about basically what we're talking about, how eventually it's gonna come to where we meet each other again sometime in the future.
[00:16:23] Speaker C: Because we're in the same place. That's what I was telling you about networking and actually, you know, helping each other out and everything like that. Because the thing is, we're in the same space, you know, saying.
[00:16:32] Speaker A: Yeah.
[00:16:32] Speaker C: Or work colleagues, man.
[00:16:35] Speaker A: Yeah, well, I don't know if you. If you want me sharing it, like, like, even people, like people to offer to help me out. Like, I feel bad if I. If I keep. Can't compensate them.
[00:16:44] Speaker B: Yeah.
[00:16:44] Speaker A: You know, I mean, it's just weird because I'm like, no, if you're gonna help me, bro, I want to help you.
[00:16:48] Speaker B: Yeah, yeah, yeah.
[00:16:49] Speaker C: You know, this did my whole thing is this, bro, cuz like, I make all the reels for, you know, not all, like, I made the majority. Yeah, yeah, I make the majority of them, you know, saying. But like, like I said, like, it's nothing for me. It's nothing for me to crank a real out, man. You know what I'm saying? And then, like, me making a real for you gonna help me in the long run because they're gonna. Who make that? Or Drew made that.
[00:17:11] Speaker A: Yeah.
[00:17:12] Speaker C: So it brings business and so, like, I don't mind doing stuff for free because I know at the end of the day it's gonna pay me, you know, saying, right on.
[00:17:19] Speaker A: You guys try that schizo. Schizo's juice.
[00:17:21] Speaker B: Yeah, I had a whole twelve pack of them.
[00:17:26] Speaker A: Get.
[00:17:26] Speaker C: So here, schizo 2.0.
[00:17:29] Speaker B: So I got three drinks over here right now.
[00:17:31] Speaker A: Right here. This is the. What do we got? Pineapple pomegranate is for you. Skitso, bro told me to shout you out. I bought some of these from you.
[00:17:39] Speaker C: This is my first one on my dream, bro. I got you, bro.
[00:17:41] Speaker A: Let's test this out real quick.
[00:17:43] Speaker B: Yeah, they were fired ones that I had. Shit, we're mixing them with alcohol and everything.
[00:17:49] Speaker A: Oh, yeah.
[00:17:51] Speaker B: Shut up. My dog skits. Oh, man. Hey, man, I remember skits whenever he was making tacos on them. On a plate. On a heat plate. On a heat. Whatever the hell that thing you plug into the wild, man.
[00:18:04] Speaker A: Yeah.
[00:18:05] Speaker B: Was over there. So blendy, man shot my dog skits. He came a long way from cooking on the hot plates, the taco trucks and all that good shit, man. Hell yeah. Shout out my dog skits, man.
[00:18:15] Speaker A: Yeah, yeah. He's always hustling. I see stuff on Facebook and he posted. I was like, yeah, for real, man. I'm gonna give me some of that. And then I even told him, yeah, I'll just get the pineapple pomegranate for now, and then next time I'll try something else. Yeah, yeah, yeah. Thanks for trying that out, skits. Appreciate you, man. We got you.
Ah, yeah, man. Thanks for coming on the show. Yeah, that. It was interesting, your, your basketball stories and how y'all went to Austin, and y'all went to Kingsville several times. Yeah, that was pretty cool, mandy. So you guys going to the OT concert or what's going on there? I know you had some posts about that.
[00:18:45] Speaker B: Who could get us in the OT show, man? We need some media passes, man. Somebody who's a promoter over there.
[00:18:51] Speaker C: Need a holiday promoter. Dm the writer. Hot podcast, man. Yeah, yeah, we will cover that more. We will cover that shit.
[00:18:58] Speaker A: Dude, that would be awesome, man. And then d green. So you know d green? How do you know him?
[00:19:01] Speaker B: Man, I've known d green since, like, 2006, 2007. I met degreen through my dog can, too.
[00:19:08] Speaker A: Cat.
[00:19:08] Speaker B: Yeah. Yeah. Shit, he was just. Man, d green. Whenever we met d Green, he was, like, 13, like, 1314 years old. He was skateboarding. Would always just be chilling with them.
Yeah, he was skateboarding. He was making skateboarding videos. Whenever I first made the green, he was making a name for himself, like, doing skateboarding videos. Yeah. So he came a long way from doing the skateboarding videos to the music videos. Like I said earlier, he was. He thought they talked about on Norwar. He was like, the blind. I was like, man, I remember the beginning of d green from.
[00:19:37] Speaker A: Wow.
[00:19:37] Speaker B: Even before the rap in the hip hop shit, I remember d. Like I say, d green was making skateboarding videos back in the day with a little mini goddamn camera and shit. Hell, yeah. Yeah. Shout out to my dog, d green, man. He came a long way, man.
[00:19:50] Speaker A: Shout out, d green. This your ticket, bro. Come on on.
And Maya backs there. He knows the blind dolls. Right, Maya? Yeah.
[00:19:58] Speaker B: Right on already.
[00:19:59] Speaker A: That's what's up, dude. Yeah. D green. So is that what y'all are trying to do? Get on to, I guess, get bigger acts, right? Like, on your podcast?
[00:20:06] Speaker B: Yeah, but I know that shit comes with the budget. You know, I'm saying, she so, like, as, like you're saying right now, time by trying to pay people. So, as a. Right now, like I said, man, we trying to do mutual shit right now. We like it. Let's help each other. Help each other type shit, you know, I'm saying. So once that becomes in the budget, hell, yeah. We definitely trying to get action. Shit like that. That's been, like, the goal since, like, day one and shit.
[00:20:25] Speaker A: Are you still working on your dj career?
[00:20:28] Speaker B: Yeah, man, I just. I had some people down here from Austin, like, two weeks ago. Shout out to my dog, big bo, man. Big song. They came down here from Austin. They put down two mixtapes with me. So, yeah, we was in there damn near all evening doing mixtape shit. Shout out to them. They came all the way down here from Elgin, Texas, which is right outside of Austin.
[00:20:44] Speaker A: And these guys, they bring their music.
[00:20:46] Speaker B: Is that they send me all the music that they want done, and by the time they get down here, I have it ready to go. So all they got to do is walk in, I hand them the microphone, I turn on the turntables, and then we just start going there.
[00:20:55] Speaker A: Oh, they sing over it?
[00:20:56] Speaker B: No, they do their shout outs over it. Like, while I'm playing the music, they'll be like, hey, shout out to my dude over there on the south side.
[00:21:02] Speaker A: Really?
[00:21:02] Speaker B: Like. Like, stuff like that. Yeah, just shout out to send you. I was gonna bring you a copy of one of my ocs, but I couldn't even find them. But I'll send you a link to one of my cds so you could peep it out. And people like the format of one and.
[00:21:12] Speaker A: Oh, yeah, for sure. I listened to the one you have on Spotify. I don't. It's. It's pretty. It's kind of old, I think.
[00:21:16] Speaker B: Yeah, that's like. Yeah, but that's not. Like, it's a real dj mixtape, but it ain't one that I put my foot in, I would say, like, that.
[00:21:23] Speaker A: Oh, interesting.
[00:21:24] Speaker B: Yeah.
[00:21:25] Speaker A: When you. So, when you first started mixing the two records, was it difficult for you to, like, find one for one to find the other? You know what I'm saying? You had, like, this one's got the beat goings, got the snare or whatever, and then you got this one turning, and you got to find the snare for this one from this one on this one.
[00:21:39] Speaker B: Right time. I like, beat matching.
[00:21:41] Speaker A: Like, mixing. Yeah, yeah. No, you know, that's not what. Okay. Okay.
[00:21:44] Speaker B: Not really. Like, man, I want to say that, like, that's. That's probably, like, one of my specialties is, like, blending and beat matching. Like that. Like, that's what I specialize. I ain't no scratch master, nothing like that. So I pride myself on, like, blends and stuff. Like.
[00:21:56] Speaker A: Yeah, that's what I'm saying. Like, finding.
[00:22:00] Speaker B: It's called a blend. What you talking about? Getting two different songs and putting them together where they're matching the snares and all that? Yeah, that's called, like, a blend or, like, mixing. Hell, yeah.
[00:22:09] Speaker A: You were talking. And then you were talking about. Once I think I was over there in your pod, your podcast, about, like, one's 120 then. And one's 120, and then the other one's 120. That, that's an easy mix right there.
[00:22:19] Speaker B: Yeah, exactly. Hell yeah.
[00:22:22] Speaker A: Yeah. Right on. How did you, what piqued your interest, like in action, to actually want to do that? Like djing or mixing or. I know it was the screw culture, right?
[00:22:32] Speaker B: For dance show, just me and my, me and my little brother. Shout to my brother in law. We were living with my grandparents house at the time. Nice, man. We were like 13, I was like 1314, my brother was like 1112. And we were just fucking around, just figuring shit out, man. We end up. My grandma, them got us like a gateway computer. We'd be on them, I could download music, but my grandma and them always had like record players and like records around the house. So me and my brother as kids, we would always be on those records. And record players are just putting records on, scratching it, trying to slow it down and shit like that. Just fucking around as a kid and that always caught our eyes, like kids and shit. Even as kids, we knew what we wanted to know. My brother, he's still DJ's. He's not, he don't really have his, his foot all the way in the door like the way I do with it. And I don't even say I got my foot all the way in the door with it right now because I'm focusing a lot on this podcast. My brother's still DJ's. And actually, man, I would say my brother probably introduced me to DJ and I was thinking about that the other day, like my little brother, that's right under me. My brother Ahmaude, he's probably the one who introduced me to djing.
[00:23:30] Speaker A: Wow. What was the first setup you got or the first type of turntable you got? Or.
[00:23:34] Speaker B: Man, like I say, there's some shit that my grandma and them had at the house that was just put together type shit. But the first, like, the first thing I can't remember was the first one I had. I know the first one that I actually bought on my own was just a little bullshit as new mark. Like a little controller thing, shit like fucking five, $600 and just had that and just fucked around on. And that was, you look at that thing nowadays, you were probably like, what is that? That's a dinosaur.
[00:24:02] Speaker A: Have you seen one of them old school tvs? You lift it up and there's a record player and.
[00:24:05] Speaker B: Yeah, hell yeah. Hell yeah.
[00:24:16] Speaker A: Wow. And then we'll go to my uncle's room. He had the eight tracks. He had actually a drum set in his. We would go, they always get mad at us. We go, in there because mess with this drum. Yeah, yeah. It's cool how we get into music. Like down here.
[00:24:29] Speaker B: You see what the be matching thing you were saying? Like, man, I was in the band at west. So a lot of people don't know that, man, I was in the band in 6th grade, 7th grade, 8th grade and 9th grade. So I played the drums, like, I played the bass drum and I could play all the drums. I could play like, the snare drum. Fucking what the queens, the quads, all that. Like, I used to play all day. I was like, number one bass drum in line at West Oso whenever I was a freshman. Yeah, so shit, like, I always had, like, the music in me. So I want to say that band shit just translated to being a dj and shit. Because I was still djing even in high school, whenever I was in band. Then once I say I left West Oso and went to Carol, I got in there. West also, man, west also's band. We was like, with the funk, like child, Mister Melton, man. We was over there playing like all like the hood songs. Like mystical masterpiece, ice cream, man. And all this shit, man. I get to Carol, man. They got us playing this classical shit. Males and bandit, Carol for like a week. I said, hell no. This shit.
Yeah, we live it also. We playing like, all the crunch stuff. June 27, masterpiece. All that type of stuff. You know, I'm saying and shit. They go to Carol. They got us playing, like, they got us reading music, bro. Because I ain't even lie to this day. I still don't know how to read music. Like, man, I could just. The band, he would just play it. And I just had such a good ear for music. Just play it one time and I got it no matter what instrument it was on. And when I go to Carol, bro, they literally trying to get us to read music. And I'm like, nah, this ain't for me.
[00:25:54] Speaker A: Wow. Did you ever pick up, like, a guitar or piano?
[00:25:57] Speaker B: No, man, it's crazy because my uncle, man, RP. My uncle bull, man, he was. He played the electric guitar, man. He was always playing that guitar. Even when up until he passed away a couple of years ago, man, he was always playing that electric guitar, Mandy, the seventies and shit. Probably earlier than that.
[00:26:11] Speaker A: So you're originally from Corpus?
[00:26:12] Speaker B: Yeah, for damn sure.
[00:26:14] Speaker A: So. So you grew up around. Well, I guess Mexicans, blacks like mostly, or.
[00:26:19] Speaker B: Yeah. Hell yeah.
[00:26:20] Speaker A: Was that. Was it? Was it? I guess it really wasn't a shock. Was it a shock because you. Not really. Because you grew up around no, it.
[00:26:25] Speaker B: Was because, like, I'm from, like, I'm from like, the south side. Like, I was born. I was born. I lived in, like, west Haven, which is in, like, molina, but like, growing up in like, elementary and, like, from like, kindergarten to like, 1st, 2nd, 3rd, 4th, 5th grade, man, I went to school with, like, Mexicans and white kids. Like, I remember going to custor's elementary and, bro, I could count the black kids. I could count the black kids in the whole school, you know what I'm saying? Not even just, oh, I can count the black kids in my grade. Like, I can count the black kids in the whole school on two hands. You know what I'm saying? That was me, my brother, my sister.
So whenever I check out, whenever my people have fell on, like, hard times, like in the middle of fifth grade, and we end up moving to Molina and we go to, like, west also. And I'm like, bro, I had never been around like, that many, like, black people before, you know what I'm saying? It wasn't like a shock, you know what I'm saying? But it was like a shock because I go from going to school with a whole bunch of Mexicans and a whole bunch of white kids to now I'm over here at west also. And that's where you could count the white kids. And you can't even count the white kids on two hands. You count the white kids on one hand? Yeah, like that type shit, you know?
[00:27:29] Speaker A: How did that feel whenever you went from the mexican school, all mexican or Hispanics to all blacks? Like, was it. Was it different? Like, was easy for you to, like, kind of, yeah, I just knew that.
[00:27:39] Speaker B: These kids were on some other shit that. That these, like, I'm over here at custodians elementary, and these kids are, like, on some, like, trying to play with fucking hot wheels and shit like that. And then I'm over here, west also, these kids trying to fight, you know, I'm saying, like, these little white kids over here, they bet it was maybe one or two fights every year. Two years that castores. I'm over here, west also, man. One, two fights a week, you know I'm saying? So it's like, shit better be ready. I was the first week mouse getting bullied by this dude. Like, for the first, like, three days, that food, like, was pushing on me and everything. And I'm new to the school. I didn't do shit, you know, saying. But that fourth day, I was like, man, fuck that. He can't do that shit again. I'm gonna fucking push that shit again. I fucking pushes as hard as fucking. That kid never fucked with me, you know, saying, like, just had it almost like some penitentiary shit.
Like, man, the fuck? Hell, yeah.
[00:28:35] Speaker A: Yeah. Yeah. I was trying to. I was trying to. I guess I was asking about, like, racially, you know what I mean?
[00:28:40] Speaker B: Hell, yeah.
[00:28:41] Speaker A: It's obviously out there. Do you think. Yeah, go for it. Yeah. Like, do you think that that's, like, in the city and, like, do people. How do you try to avoid it? Or do you just, like, not even think about it? You know what I'm saying, man?
[00:28:56] Speaker B: It's out there, but I don't really see too much of it. Like, I haven't had nobody pull no racist shit with me. You know what I'm saying? Like, a long ass time. But I'm the type of person, I feel like, straight up, like, I always tell people this.
I'd rather the person be the racist. That's, like, not the undercover races. Let me know where you stand. Don't be racist under undercover. If you're gonna be racist, be racist out in the front, so at least I know where you stand. Don't have me liking you becoming your friend and all this shit in the whole time. You low key racist. But if I know where you stand off top, I just know from off top. Don't fuck with you.
[00:29:28] Speaker A: Yeah.
[00:29:28] Speaker B: You don't say, like, that's. That's my opinion on shit like that.
[00:29:31] Speaker A: Yeah. So it's there, right? It's just like, a matter of, like, navigating.
[00:29:35] Speaker B: Yeah.
[00:29:35] Speaker A: Around it or whatever.
[00:29:37] Speaker B: Especially on that Facebook shit. That's where you're gonna see a lot of this.
[00:29:45] Speaker A: And even they're like, you can't even see, like, if they're. If they are. If they are either.
[00:29:50] Speaker B: Oh, it's like they be posting some racist ass shit or some shit that's like, you know it's racist, but it's not said racist because you know how Facebook issue with the guidelines and shit like that. And then whenever you.
Whenever you go click on their profile and shit, they ain't got no pictures.
I'm like, the boldest motherfuckers on social media, bro. The ones who ain't got no profile pictures or have them cartoon or do they got them with it? What's called, like, the anime? What's that shit called? Dragon Ball Z, man, you got an anime. You. You 50 years old talking shit on goddamn Facebook and with an anime picture.
[00:30:29] Speaker C: With a picture of Goku as your fucking.
[00:30:34] Speaker A: How's it going, Francesca? Hi, Mama. Thanks for joining the podcast. Vic Lynn, what's going on? Appreciate you. Yeah, that's awesome, man.
[00:30:41] Speaker B: Yeah, yeah.
[00:30:42] Speaker A: So, shoot. So you're djing. So you're working on your djing career? Kind of. Sort of. Kind of. But you're doing most of the podcast?
[00:30:50] Speaker B: Yeah, yeah. I'm still, like, doing, like, personal mixtapes. And honestly, man, today I thought of something. I don't really want to let it out there, but, man, I thought of an idea probably to do another corpus mixtape. So I might do another corpus mixtape soon. Type shit.
[00:31:01] Speaker A: Had you done one before?
[00:31:02] Speaker B: Man? I've done like five or six.
[00:31:05] Speaker A: No kidding.
[00:31:05] Speaker B: Coming out of corpus, part one. Coming out of corpus, part two. Then me and Su c Holden shout out to my dog Adrian. We did coastal bending columns part one, part two, and part three.
[00:31:15] Speaker A: What's up with that dude? You shot him out a lot?
[00:31:17] Speaker B: Yeah, he did. He moved to San Antonio like, a year ago. We would do a lot of collaborations, a lot of stuff together. He leased to live right down the street from me. We have the page, the screwdriver community page.
[00:31:28] Speaker A: Yeah.
[00:31:29] Speaker B: Like 60,000 followers. And we built that shit from, like, the ground up. So we were just at one point, just putting in a lot of work together. He would come over to my crib every day and we would just go live on Facebook just doing dj mixes. He would be the host and I would be the dj. He was sitting there to give all the shout outs and I would just sit there and do the mixing. We just built that page up just like that.
[00:31:47] Speaker A: Yeah. Right on. Have you made any music for like, like corpus artists or.
[00:31:52] Speaker B: Yeah. Hell yeah.
[00:31:52] Speaker C: I got a mixtape on my YouTube right now. You can check it out, man. It's called Black Friday, man.
It's right there on my YouTube, man.
[00:31:58] Speaker A: So Black Friday mix, it's a mixtape. I'm confused. So mixtape thinking like different songs?
[00:32:04] Speaker C: Yeah, yeah, it's different songs from a is I have. Because I have like three or four different projects, right.
[00:32:10] Speaker A: Okay.
[00:32:11] Speaker C: Regular project. And so I got like, I got like the, like, I would just say like twelve or 13 songs, right? Yeah, so I got, like the. I got, like, the best songs off of each project that I have.
[00:32:21] Speaker A: Your song?
[00:32:22] Speaker C: Yeah.
And I gave them to him and he put them together, blended together, chopped and screwed them and everything like that. Yeah, it's on YouTube right now, man. I go check it out. Friday.
[00:32:30] Speaker A: Hell yeah. Black Friday. Check it all, y'all. So you mix. So you mix the songs and then he just goes and shouts people on it. That's.
[00:32:37] Speaker B: That's like, he, like, if he wants to do it, you know, say if he wants to come in the house, like, I could do a mixtape, like, with or without you, you can send me the songs, and I could just do it myself, give a couple of shout outs. Or you could come in house and sit there and give shout outs to whole damn tape if you want.
[00:32:50] Speaker A: Oh, yeah. So, how popular is that, like, those.
[00:32:53] Speaker B: Mixtapes is, man, and people ain't really on that shit here in corpus. I ain't gonna lie, man. It, like, the screw. The screwd. The screwed up community, I would say here in corpus, man, is far and few between. But, man, it's a few of them out there, man. So shout out to all the Corpus Christi screw heads, man. Shout out to all the corporate screw heads on the screwdriver community page, all the Corpus Christi screw heads that follow me on YouTube and Facebook and all that good shit. So I ain't gonna forget about y'all. It's just. I wish it was more. You know what I'm saying? I just feel like we're so close to Houston. I just. I just feel like a bunch of people in corpus, they, like, hate on the screwed up culture, man.
[00:33:27] Speaker A: Really?
Damn. I never would have thought that. I thought it would have been more of an influence because it's like you said, it's just down the street generation, man.
[00:33:36] Speaker C: You know, ratio. People phase out, you know?
[00:33:39] Speaker B: Yeah, exactly.
[00:33:39] Speaker C: That's all it is.
[00:33:41] Speaker B: So it's up to people like me and other DJ's Ron C, Michael wides. Shout out to my dude, DJ crazy. Turn the sound to no saying. Shout out to DJ Fab 361, OG Ron C. And Michael was there in Houston, but DJ Crazy and DJ fab 361, they're all here in Corpus. And we're, like, the ones who do, like, the screwdrin chop style. Slowed and chop style here in the three six one region.
[00:34:02] Speaker A: Hey, Fab, I ain't forgot about you, man. I spent. I've been meaning to send him a hoodie. He's out there in Kingsville.
[00:34:09] Speaker B: Man.
[00:34:09] Speaker A: Yeah. Hell, yeah. I seen his posts on Instagram. He's even got the picture of screw behind.
[00:34:13] Speaker B: Yeah.
[00:34:14] Speaker A: With a black light and everything.
[00:34:15] Speaker B: Yeah, come out here, man. I just talked to him, like, two days ago, man. We gonna come out here to Kingsville, man. I'm like, man, I ain't dropping.
[00:34:21] Speaker A: Yeah, see? Wow. So this. So the scene is a lot different from down here than it is over the. Whoa. Yeah, yeah. Damn. And then I do. Droopy was talking about flatline in one of the recent interviews that you had, like, how he was kind of a big do, a big guy in corpus, like the corpus scene or whatever.
[00:34:43] Speaker C: Yeah.
[00:34:44] Speaker A: So he was.
[00:34:45] Speaker C: He was actually good. I don't. I don't really. I don't.
I cannot say, man. I was in prison, man. Whenever he. Whenever he started, right. Really popping, like, really going out there and everything.
[00:34:54] Speaker B: Yeah, whenever flatline had it, like his, man.
[00:34:57] Speaker C: But, like, I remember whenever he died, man, I had, like, a bunch of people coming up to me because I was, like, the one of the only people from corpus. I was there.
[00:35:03] Speaker B: Waco.
[00:35:03] Speaker C: Yeah.
[00:35:03] Speaker A: Oh, wow.
[00:35:05] Speaker C: So, like, they're talking about it on the radio station over there, you know, saying. They're saying, hey, you know, corporate rapper flatline, you died, blah, blah, blah. Just. And I was like, man, what? So I come on my cell, man, and I remember this.
[00:35:15] Speaker B: I remember this.
[00:35:16] Speaker C: This latin king. Dude, that name was nacho makers. Right up to me, he's an a. A to a respect all, you know, saying, wow, you know who that was? You know, saying I'm nice.
I'm tripping out because I didn't. I didn't. I didn't even think flatline blew up.
[00:35:30] Speaker B: You know what I'm saying?
[00:35:30] Speaker C: Well, I remember before I got locked up, he had the song called that. Sometimes I leans.
[00:35:35] Speaker B: Yeah.
[00:35:39] Speaker C: That one.
Yeah, cuz, like, when I. When I got locked up, hughie, that was a song that was out. You know what I'm saying? And so I, like, I said I didn't know nothing about him popping it on like that, but, like, when I. Man, he was big enough for radio station awake or to say something crazy, you know what I'm saying? It's all like.
And so, like, yeah, man. It's just. It's one of our legends here, bro.
[00:36:03] Speaker B: Yeah. Before we go any further, I want to clarify, like, the differences in, like, the mixtapes. And so a DJ little king. This is me personally, this, and I don't know how anybody else does their shit but me, personally. A DJ Lil King mixtape, which I charge $100 for, is basically you coming with songs that you want to hear slow than chop. They could be any songs, any genre. They could be your songs. They could be your homeboy songs. They could be future Drake, whoever it is. Come with 14 to 15 songs, and I'll slow and chop them. You want to come in house, you could come in house and do your shout outs or all that. That's a $100, then also do projects which a project that's something that you're going to actually put out to where I'm doing this because you're going to put this on streaming platform. So a mixtape is more or less something that I would just press up and give you. Maybe if you maybe say, hey, can you give me, like, ten extra copies? I want to give them out to my homeboys or sell a few copies. Then we could work a deal to where we come up with a number. I'll press you up some copies like that. But the $100 mixtape is basically just a mixtape for you. Like, I say, you want. You could. I don't. If you want to go burn a couple of copies yourself and give them to your homeboys, I don't give a damn because you've already been paid for my services. But if you want to, like, do a project to upload to a streaming platform to what we call a DSP, that's basically. I charge 250 for projects.
[00:37:18] Speaker A: DSP. What is that?
[00:37:19] Speaker B: A digital streaming platform.
[00:37:21] Speaker A: Okay. Okay.
[00:37:22] Speaker C: Like, what, Apple or Spotify?
[00:37:25] Speaker A: Like, actual. To have credit on the. For. That's.
[00:37:28] Speaker B: Yeah. So whenever you get on Apple Music, you can search you up and just. Your album is gonna be on there. Slowed and chopped by DJ Lil King and stuff like that.
[00:37:35] Speaker A: Wow. So have you had those types of projects?
[00:37:38] Speaker B: Yeah, I did a couple of them, and I can't. What?
I did one for gunplay. Music. Shouts are gonna play music. I did one for Rob Zilla. Nim ugly swag them. Yeah. Shout out. Rob Zilla. Did one for Robzilla. J boogey and them. And I did. I did a bunch for a bunch of corpus artists.
[00:37:58] Speaker A: Slowed in. Yeah, yeah, that's cool. Alex Martinez. I think he was talking about flatline. He was super connected. Screwed up community. What's going on?
[00:38:07] Speaker B: To my dog, man. Hey.
[00:38:08] Speaker A: Hell yeah. Yeah. Screwed up community, bro. That's awesome. Slowed and chopped. There was actually a guy that came on here, Matt Con. He did after hours rock Ep. He actually made a screwdrinch version of it for the Houston community.
[00:38:21] Speaker B: Oh, shit. Yeah.
[00:38:22] Speaker A: I was like, what? I had never heard screwed and chop or slowed and chop. Whatever. Yeah, actual rock, you know, rock stuff.
[00:38:29] Speaker C: Hey, you know what's crazy? The first. The first song I ever heard like that. Like, really heard like that. He did that. Marcy's playground.
[00:38:35] Speaker A: Oh, no kidding.
[00:38:37] Speaker B: On Facebook right now.
[00:38:39] Speaker C: Badass, man. I was badass. I was like, oh, shit. I was bad. It tripped me out way the fuck out.
[00:38:44] Speaker A: So whenever you do. Whenever you pick song d, so you make your own mixes, right? Whenever you pick songs, do you know which ones are gonna be good in the mix or do you just, like, try them out? Like that one, for instance? Like, did you know that?
[00:38:55] Speaker B: We'll see. That wasn't even like a mixtape and that's it. This is a funny story, too, because I'll just be in there just fucking around doing songs and shout out to Alex because Alex is one of the ones who always says, are you not recording it?
Man, I'm just fucking around with this shit, bro. Like, I didn't record, like, I could be recorded, but it's not even, like, to me doing a mixtape, a structure. I'm not. I don't like to just press record and just start. Just mix it. Like, I like to have structure to it. So I like to know what songs that I'm gonna do on the tape. But that's where my dog Adrian Shaw community that's tuned in right now. Like, he would just be in my crib and we just be chilling, smoked out, sipping Hellene and shit. And, man, I'll be like, man, you want to do a mixtape anyway? Hell yeah. Fuck it. Let's do it. And me with no playlist or nothing, I'm just getting on there, picking a song, starting off with that song and just going. And next thing you know, we just. So a lot of the mixtapes that we have were, like, freestyle. Like, I like to do mixtapes with structure, but there's always, like, I could. I consider those, like, our dj screw style mixtapes because those are the ones that weren't, like, playing. Those were the ones we were just feeling good. We in the zone. We ain't doing shit but watching videos on YouTube. So it's like, hey, fuck it, let's record. And then next thing you know, we started recording and we got. And to me, some of those are some of the best because I feel like it wasn't no pressure on me to do those mixtapes. Those were just organic from us, just chilling, being vibing, high as fuck, leaning and just record if I fuck up, if I fuck up, because it was. I ain't commissioned to do this. This is just something we're just doing just because we having fun.
[00:40:23] Speaker A: Yeah. So is that the most rewarding, rewarding part for you?
[00:40:26] Speaker B: The most rewarding is whenever I finish any mixtape, I'm like, damn, bro, I had to do it. Do the mix, go back and slow it down, edit it before I slow it down. Make sure all the vocal levels and everything's good. Then go back and slow it down. Once I slow it down, then I got to chop up the tracks into each individual track, and then I have it ready to go after I edit all the title names and the track names, and once I send it off to the person or give them their copy, that's when it's like, okay, take.
[00:40:54] Speaker A: The money up front, or, oh, yeah.
[00:40:55] Speaker B: Hell yeah. People always, man, can I pay you after you've done? Hell, no.
Hell no.
[00:41:02] Speaker A: Oh, how did you learn that? Did you learn that the hard way or how'd you figure out to take the money up front.
[00:41:09] Speaker B: Adrian? Should I tell the story?
[00:41:13] Speaker C: You might as well tell the story. It's already there, man.
[00:41:15] Speaker B: Without saying nobody's names.
[00:41:18] Speaker A: Come on.
[00:41:22] Speaker B: This dude shows up to my house with his chick. He told me he was going to come through and record. I'm like, okay, bet, pull up. He takes forever to get there. He shows up up with this chick, and I'm like, bro, this ain't. This ain't that type of party. Your girls here, fuck it. Let's just get the shit fucking going. So we started fucking recording, and I had already told him, like, what it's gonna cost, you know, I'm saying? So we started recording halfway through, and then this is an all freestyle mixtape. He wants to. He don't want no songs. He wants to freeze. He just wants me to play beats, and he wants to freestyle to all the different beats for hours. So he's already fucked up full of, who knows, all kinds of drugs type sheet, Adrian.
So this dude's all fucked up on all types of drugs. He's. He's in my house and his chicks just, like, they're just annoyed as fuck with him because he's, like, got her, like, over here. Like. Like, why'd you bring me to do this type of shit? So he's over there where he's rapping. We record for, like, 30, 45 minutes. And the whole time, like, whenever you rap and you got to have, like, you got to rap with the microphone right here. This dude literally has a mic way down here where you can even hear. And I tell him, like, ten times, like, hey, pick up the microphone. Otherwise nothing's going to come out. You're not going to hear yourself. But after, like, ten times, I'm like, you know what? He just gonna get what he paid for. Like, he's the one. I told him ten times to keep on talking to the mic. He ain't talking to the mic. That's just what it is. Like, shit. So after 40 minutes of recording, his all freestyle. This dude says, man, I didn't really like that. Can we start over?
So then we get.
[00:43:01] Speaker A: We fucking.
[00:43:02] Speaker B: We end up recording, like, two or three more songs. We finish. After we finish, I tell him the fucking price, and I'm like, you know what? It's your first. I charge a $100, but I'm like, fitness, so sorry for the dude. I'm like, you know what, dude? Just give me $50, bro. I'll cut you a deal. I didn't have to do no mixing or nothing. All I did was play beats for you. Just give me $50, bro. All right, all right. He takes like, ten minutes, and then he comes back. He not come back because we're all in the room, the same room. He. After like, ten minutes of just him fidgeting and talking to his girl and everything, man. I give you 20, bruh.
[00:43:37] Speaker A: He's like, can I. Can I buy you a.
I'm like.
[00:43:41] Speaker B: You know what, bro?
Just give me the $20. But I'm thinking in my head, give me the $20 and get the fuck.
[00:43:47] Speaker A: Out of my house.
[00:43:48] Speaker B: You know what I'm saying? And don't ever. I'm thinking about, don't ever mess with me again. Don't ever. I just want to get him on my house at this point. Like, straight up, just give me the $20. So we're chilling, man. It's a fucking crazy story, man. So we're chilling.
He starts calling his ride. Mind you, we finish, it's like, 203:00 in the morning. He starts calling his ride. Nobody is coming to pick this dude up, bro. So he ends up getting ahold of his mom, who's in another city. I don't even want to say what city, because I don't even want to try to.
Let's just say she was 45 minutes away. Anyway, this lady drove all the way to pick him and this girl up.
[00:44:28] Speaker A: Oh, my God.
[00:44:30] Speaker B: Once they pulled. Once his mom pulled up, I'm thinking, okay, he's just gonna walk outside, him and his girl, and they just gonna get in the car and take off. You know what I'm saying? And he's out of my hair. So I'm like. The mom pulls up. You're like, oh, yeah, my mom. I saw. My mom's like, hell, yeah. Finally, dude walks outside.
Not even two minutes later, he brings his mom in and introducing his mama to us.
[00:44:55] Speaker C: Three in a woman.
[00:44:56] Speaker B: I like, oh, man, hell, no. But I'm being respectful. You know what I'm saying? Like, nice and late everything and then finally fucking takes off. And I'm like, nah, I can't do that again, bro. Like, I just got to take money straight up front. I can't do the back end or none of that shit. Like, nah, like. Cause people like, I don't like, I know people like to do drugs when they gonna do mixtapes with me. You know what I'm saying? Regardless if it's smoking weed, regardless of sipping lean, popping pills. I know whenever you come to do a mixtape with me, you want to be on some type of level, whatever type, whatever level it is that you do. But be respectful. Don't come over here so fucked up to where you just pulling some roach ass shit. You know I'm saying? You got your mama over here trying to introduce your mama to us. And I'm like, get this lady out of my house.
It's like, 433433 04:00 in the morning, bro.
[00:45:48] Speaker A: In the morning.
[00:45:49] Speaker C: She's all in the nightgown and shit.
Like, what the fuck?
[00:45:53] Speaker B: And the mama's also like, bro, what the fuck? You got me getting off the car, meetin these niggas foe.
Damn, man, straight up.
Yeah, so that's that story.
[00:46:12] Speaker A: Have you always been into, like, stories and stuff? Like. Cause y'all have stories. All kinds of stories, man.
[00:46:17] Speaker B: It's just.
[00:46:18] Speaker A: It's a lot.
[00:46:19] Speaker C: It's like that shit that comes around, bro, you know, saying, yeah, yeah, you know, thing is, man, doing this, doing this type of stuff because, like, we really. From the streets, bro. Yeah, you know, you meet all sorts of characters, bro. You know what I'm saying? So, like, you run into these characters, like, say, like a. Like a crackhead, you know I'm saying? Yeah, like, I got stories about crackers when I saw dope. You know what I'm saying? Like, I remember. I remember one time, this one dude, I'm not even putting my bed with his animal. We're right there in the trailer park. He was. Did you know that the. The trailer park streets are nothing but like this big, bro? You know what I'm saying? It's the same things. Like four in the morning, dude, he's on the other side of the street with the tv, dude. He's like this. Looking at. Looking at the street, like, for five minutes going back and forth like this. And then he finally runs, yeah, across the street. And I'm like, what the fuck are you doing? Like, no one out here broke it, but it's just. It comes with it, bro.
[00:47:10] Speaker A: It's like a form of entertainment like, stories?
[00:47:12] Speaker B: Yeah. Oh, I got stories for days.
[00:47:15] Speaker A: Like, yeah, I noticed that about you, Rose. Like, just watching a bunch of shit.
[00:47:19] Speaker B: In my life, man. Like, a whole bunch of shit. Like, we was thugging it at a young age type shit.
[00:47:23] Speaker A: Like, did you like grandparents or did they tell you stories? Like.
[00:47:27] Speaker B: No. And that's one thing I don't like. Like, it sucks that whenever my grandma passed away, like, I would ask my grandma. So my torso into my grandma's life, I would. I would be like, real interested in ask her stories and stuff like that. But, like, whenever I was young, man, we was just running the streets so much, man. Like, we didn't even care to hear their stories, which it sucks to say, but it's the truth, man. We was just.
[00:47:46] Speaker A: Yeah.
[00:47:47] Speaker B: Running the street so much. Just thugging it so hard.
[00:47:49] Speaker A: Kind of thinking about yourself, just doing your own.
[00:47:50] Speaker B: Yeah. Hell yeah.
[00:47:52] Speaker A: Yeah.
I was talking with a. Somebody last night. I was at a party where we got started talking about, like, weed and CBD and all kinds of stuff. And we were talking. He was like, yeah, I should go on your podcast talking about the weed crisis in Corpus Christi. I was like, I didn't know there was a crisis in Corpus Christi.
[00:48:13] Speaker B: Do y'all think there was one great drought of zero? Two.
Summer 2002. Fall 2002. Should I remember that shit?
[00:48:22] Speaker A: Damn. Seriously. Wow.
[00:48:23] Speaker B: Like, us, that was. I was summer going into my junior year of high school. Fucking super driving, fucking on Bud and corpus like a motherfucker. So nowhere you can find any.
[00:48:33] Speaker A: Is it. So the. The CBD stuff, is it actually, like, does it have the THC? I've been hearing stories about that you.
[00:48:41] Speaker B: Would have to get freak or Joe Brock. No more about that. They. The smoke shop representative, they know about all this different stuff. We just bring it and we smelled it.
[00:48:53] Speaker A: Yeah. So I asked. I was asking us can and Bell and all these people. Hey, what are dj king or whatever. So what can you was saying? What drew you into podcasting coming from being a dj?
Why did you decide to make the switch, man?
[00:49:10] Speaker B: Watching a lot of Donnie Houston, straight up shout out, Donnie Houston. He's like a. He's a podcaster out of Houston, Texas. And he interviews, like, all the OG legends of Houston. I'm like, why is nobody doing that here in corpus? Like, we have so many legends here that people consider legends that have been putting in work and they've never had a story that never. You never heard their story.
[00:49:30] Speaker A: Yeah.
[00:49:30] Speaker B: Excuse me. There's never been a platform for them to really tell their story.
[00:49:34] Speaker A: How'd you, Kaji, stumble upon his podcast, Donnie Houston.
[00:49:37] Speaker B: Yeah, because I love Houston rap.
[00:49:41] Speaker A: Okay, okay, okay.
[00:49:42] Speaker B: He became that dude. Whenever there was nobody interviewing the Houston legends or whatever, he became that dude that was interviewing the Houston. So he was giving us the stories that we wanted to hear from 2030 years ago.
[00:49:54] Speaker A: So you were trying to figure out about the. That culture.
[00:49:57] Speaker B: Yeah, but, man, I've been on Houston culture since I was a kid. But watching the Donnie Houston podcast, you get, like, the backstory. Yeah, the inside. This happened at this show. Such as got into a fight with this person. You know, like, that stuff. The stuff that you don't really just know type shit. So, basically that. That type of stuff got me. Donna Houston really got me into, like, him being based in Houston and doing the Houston ogs and then, like, watching, like, what else do we used to watch a bunch of no jumpers. Still watch a bomb. Really watch a bunch of it like I used to, but no jumper.
And what's that other one with DC? With DC? Young fly.
[00:50:33] Speaker C: Oh, that's a trap or something.
[00:50:36] Speaker B: What's the name of that show? That.
That show with DC and the other dude, Carlos, from them, y'all. That's in the comments. I know. Y'all know.
[00:50:44] Speaker A: Can I get a redo?
[00:50:45] Speaker B: The one that they do in Atlanta.
Yeah.
Was just, like, throwing a whole bunch of different podcasts into the. Into the pot and just seeing what we could come up with.
[00:50:55] Speaker A: Yes. Right on. Did. And when you found down Houston, was it on YouTube or was it audio or.
[00:51:00] Speaker B: No, I found out in Houston it was video on YouTube.
[00:51:03] Speaker A: No kidding.
[00:51:03] Speaker B: Yeah.
[00:51:04] Speaker A: And so in that community, there's like, a. What? The screwed up click, right. Whatever.
[00:51:10] Speaker B: Yeah.
[00:51:10] Speaker A: And then, like, switch your house.
[00:51:11] Speaker B: Yeah.
[00:51:12] Speaker A: Is there other ones, or is it just those two?
[00:51:14] Speaker B: Those are, like, the two main ones. You had, like, ones that came after them. Like Beltway a. Like dirty south riders and stuff like that. But as far as, like, the mainstays of, like, the slow down culture in the nineties was definitely swisher house and DJ screws.
[00:51:27] Speaker A: Okay. Okay. Yeah, right on. And did something just pass right, like, is it his past?
[00:51:32] Speaker B: June 27 with. A lot of people get confused and say. Say it's dj screws birthday. Some people get confused and say it's big mo's birthday, but it's actually big demo's birthday. Shout out to my homie, big demo man up there in Houston. Like, demo really fucks with us because he, like, we're like, me and, like, probably, like, a couple hundred other other hundred people. Like, we fight for this dude's birthday, like. Like, it's ours. I shit like six people on YouTube. I mean, on Facebook, saying, happy birthday, DJ sprue on June 27, and we're going to jump on that bitch real quick. No, no. Like, and that's why I shared that video on Facebook the other day, because even demo was basically saying it, like, bro, like, I don't even have to fight for it no more because, like, the people that fuck with me, like, so tough, they gonna fight for. For me, my.
For my name on. On their end type shit.
[00:52:22] Speaker A: Yeah, I bet mom was mad as hell. Jayhawk G seven.
Alex Martinez says we family now. What you mean?
[00:52:30] Speaker B: He was talking about the homeboy that was at the crib, and every introduction.
[00:52:41] Speaker A: Feels hard for the dude now. Damn, that sucks. Wow.
[00:52:45] Speaker B: I'll tell you who it was.
[00:52:47] Speaker A: So, that. So that was your. That was your, like. Okay. I was, like, the first experience I.
[00:52:52] Speaker B: Ever had doing, like, during a mixtape session.
[00:52:56] Speaker A: Yes, dad. So you got into the. To the podcasting by listening to Donnie Houston?
[00:53:00] Speaker B: Yeah, that was, like, probably one of my number one influence, but, like, I say the. From the Donnie Houston. Oh, man, I can't. I can't leave them out. The breakfast club. Oh, yeah, man, I used to watch that shit.
[00:53:11] Speaker A: Really?
[00:53:11] Speaker B: Every morning.
[00:53:12] Speaker A: And they're out of Houston, aren't they?
[00:53:13] Speaker B: No, they're out of New York. Charlie Main, the God, Angela Yee, and, uh, DJ envy. Bro, I used to watch that before. Before Donnie Houston, I would watch that breakfast club shit faithfully. Like, every morning, I was waking up and seeing who. Who was they had. Who they interviewed. Like, I remember watching that Birdman shit. You know? I'm saying, like, all three of y'all. I remember watching that shit, like, right after it happened type shit. Like that shit. Like, man, that shit was crazy. Like, so, man.
[00:53:44] Speaker A: Oh, you're talking about when they were making fun of his name or.
[00:53:47] Speaker B: No, whenever he came in there and he was, like, talking all, like, basically, they have been talking. Charlie Main had been talking a whole bunch of shit, and he came in there with this goons, and the interview only lasted for, like, 30 seconds. He just came. He basically just went in there and pumped them in.
Check them real quick.
[00:54:06] Speaker A: So why did he do that?
[00:54:07] Speaker B: I mean, breakfast club, like, they do gossip, you know? Charlie Main, the guard, like, he's real messy as fuck. He's, like, his role. And he'll troll some. Like, he'll troll someone right in front of their face. I feel like if he knows that person can whoop his ass. He ain't gonna do it. So he'll troll Birdman all in the. All on social media and some shit.
[00:54:26] Speaker A: They'll sit right next to not only.
[00:54:28] Speaker B: But he will troll people right in their face. Like that one young girl. That one girl. What's her name? Young. The one who did the. Who walked on with Jay Z and young mama. What the hell was that, man? What the hell is that little girl's name? Y'all know no mama, man. Bro. He made her cry on the show.
He did her dirty. Like, so.
I mean, I used to love watching that shit. Hell, yeah. Put some respect.
[00:55:04] Speaker C: That was a viral moment, Mandy.
[00:55:10] Speaker A: No kidding.
That's awesome, bro. So it's doctor, do you do live performances as a dj?
[00:55:20] Speaker B: Yeah, we do, like, the smoke walk, which about like that at the end. Yeah, I still do, like, private events and, like, concerts and stuff like that. Like, I'm not. Don't hit me up to rock out your club. Don't hit me up to turn up your bar or nothing. But if you want you. Hey, fuck. I even do a house party. You got a house party? Want me to turn up your house party, your private event, you know I'm saying, or something like that. Then hit me up. You know I'm saying? But I ain't fucking around with no clubs and no bars right now. You know I'm saying, to turn your club up, you know I'm saying.
[00:55:49] Speaker A: You know, it could be a hassle.
[00:55:51] Speaker C: Yeah, it is a hassle, bro. Have you ever done shows? You before?
[00:55:56] Speaker A: Yeah, yeah, yeah.
[00:55:58] Speaker C: Like, in a band, it's a hassle all the way around, especially, like, I.
[00:56:02] Speaker B: Know, with the band.
[00:56:03] Speaker C: So you guys gotta do the setup and all that? Yeah, it's just a hassle, man, trying.
[00:56:07] Speaker A: To get the money and then dealing with the crowd, the promoter, whoever's involved.
[00:56:13] Speaker C: Sometimes you get some janky ass promoters.
[00:56:15] Speaker B: Man, or even bar owners at the end of the night. Hey, man, the crowd wasn't what I really expected, man. Can I give you half? Of what? I mean, no.
Hell, no. I ain't gonna be doing under there. Yeah.
[00:56:27] Speaker A: And then you start thinking about, maybe I should do a contract.
[00:56:30] Speaker B: Yeah.
[00:56:30] Speaker A: Like, who was it? Jennifer Pena was like.
[00:56:36] Speaker C: Shout out. Jennifer Pena.
[00:56:38] Speaker A: Yes.
Oh, my God. I even looked up that lady. She's, like, a controversial lady.
[00:56:44] Speaker B: Yeah.
[00:56:44] Speaker C: That's why. That's why they set up the camera like that.
[00:56:46] Speaker A: Yeah.
[00:56:47] Speaker C: She was gonna try to tell her something. I don't even think. I don't even think she thought that Jennifer was gonna go off on her like that, you know, saying, yeah, but that was some good a fuck it, you know?
I don't even know the whole situation. Like what? Cuz? Like they're trying to get her to do more time on the stage, right? I mean, cuz I don't.
[00:57:03] Speaker B: You wanted. She wanted to get a b or whoever. Yeah, I think it was abn since they didn't show up. She wanted double, but she wanted their.
[00:57:09] Speaker C: Yemenite paid Sean therapy. Well, but I mean, let me ask you this though. Was she willing to take over the spot for them?
[00:57:15] Speaker B: I don't know. You know, I don't think she was. I don't think so. I think she was. Because I give the same set time. I don't think she was like. That's what we talked about when we did the news. We were like, real. Like, she literally, like, if she would have did a double show, then I can understand it. But you can't get paid double and just do a single show.
[00:57:30] Speaker A: Yeah, like she was looking at the. That dice show up.
[00:57:33] Speaker B: There's more money available that can be paid to me.
[00:57:36] Speaker A: Yeah, and then. And y'all's podcast, y'all should check it out. He was like somebody. I think it was Brock or somebody was like, where's Frank at?
Frank out here. He's the one that negotiated.
[00:57:52] Speaker C: Shout out Frank.
[00:57:53] Speaker A: Yeah.
Doing contracts and writing that stuff out. Yeah, for sure.
I was thinking that too. Oh, yeah. Shout out to Avago Burger and barbecue.
[00:58:02] Speaker B: Damn.
[00:58:02] Speaker A: Forgot to mention them. Sponsor of the show. Show. Try them out. Check them out. The from under burgers. Awesome. What else? They a waffle burger. Have y'all tried them out? Do y'all like that type of stuff?
[00:58:10] Speaker B: No, but they right there in the hood. Though I might to check them out. I made my way to Molina in a long time, but shit, they right there, the hood. So definitely support them. Shit, that's where I grew up, in Molina and shit.
[00:58:19] Speaker A: Oh, yeah, right on West Haven, was it? West Haven right now?
[00:58:22] Speaker B: I grew up. I was born. When I was born, I lived in West Haven. But we moved out of West Haven when I was like two and we moved to the south side. But like I said, whenever I left customers and we went to Molina, that's where I moved there. Lived in Molina from like fifth to like 8th grade. But my grand. My great grandma has lived in Molina. Well, she passed away, but she's had that house in Molina for like 50 years.
[00:58:43] Speaker A: Wow.
[00:58:43] Speaker B: So even though I wasn't like, necessarily from Molina, I still say that I'm from Molina. Because as a. As a kid, you know, back in the nineties, she spend most. Most of the majority time at your granny's house. You know what I'm saying? We was always over there playing with everybody in the hood, so they considered us Molina, too. But, like, I've always been, like, Crestmont because that's where I grew up. Crestfallen, you know, saying, yeah, I still got love for all my homies out there. Molina.
[00:59:05] Speaker A: Is that near water? Is it water? Water Lily? Near Crestmont? I'm thinking, like, you go down custard pass Holly. The neighborhood on the right hand side.
[00:59:14] Speaker B: Yeah.
[00:59:15] Speaker A: Okay.
[00:59:15] Speaker B: Yeah.
[00:59:15] Speaker A: Chris Mon. Right.
[00:59:16] Speaker B: Right there off of Sylvan Crest. Yeah. Chris Pebbles. Yeah. What's the crest water? Crestwater.
[00:59:21] Speaker A: Okay.
[00:59:21] Speaker B: The park is called Pebble park.
[00:59:23] Speaker A: Oh, Pebble park. Yeah, yeah. Okay. Yeah. My. My wife, she grew up on. I think it was water lily water.
[00:59:30] Speaker B: That's like one of the back streets over there by, like, the elementary school.
[00:59:32] Speaker A: Yeah, yeah, I think so. Somewhere. Somewhere in there. But I was thinking of Crestmont. Yeah. That's awesome, man. Crest ma and Annabelle in the house, bro.
Yeah, it's awesome. So you guys got smoke walk coming up on Friday? What's the date? July, June.
[00:59:49] Speaker B: July 5. Smoke walk Friday, July 5.
[00:59:51] Speaker A: How's that going for y'all so far?
[00:59:52] Speaker B: Far, man, the first three that we did were awesome. This past one that we did for June, it wasn't really that popping. It wasn't. I think, man, it's probably hot as hell. Ain't gonna lie, man. Cuz it was.
[01:00:01] Speaker A: Yeah.
[01:00:02] Speaker B: Looking at the traffic, the traffic wasn't even just like, there for like the whole kind of.
[01:00:07] Speaker C: Kind of shut our. Our street down.
[01:00:10] Speaker A: Yeah, and I was thinking that, too. It's like way. It's kind of close to the highway with it. With the color times of that.
[01:00:16] Speaker B: Yeah, yeah. So with this one, we're gonna start a little bit later. Instead of starting at seven, like we usually do, we're gonna start this one at nine so we can let that sun go down. We got a couple of scheduled performances and we're doing, like, open mic. And we're gonna have the block bleeders cipher. So everybody who wants to the freestyle, like, open mic freestyle, show up out there and freestyle. I'll be on the ones and twos, dropping different instrumentals, different beats. So where people can freestyle, too. Or if you want to perform, bring your song on a usb flash drive and shit. We'll get. We'll find a spot in there for you to perform your songs. We got homie Floss shot scoop dose. He got his homie floss coming down here from Cleveland, Texas, and he's gonna do one of the open mic slots at the smoke.
[01:00:57] Speaker A: Is there. Is there a food truck around in that area?
[01:00:59] Speaker B: There's hello. Trucks in that area. And also we got iced out coffees that will be there. They won't have no food, but they will be having, like, the iced coffees and drinks and stuff.
Oh, yeah. Indy. Indy is gonna. Indy is gonna be out there. Barb, man, let me see. Andy will be out there barbecue. And see, they don't tell you we're gonna have.
[01:01:18] Speaker C: We're actually someone out there to the barbecue man from the public zoo.
[01:01:22] Speaker B: Yeah. So shout out to Indy. He gonna be out there barbecuing and stuff, thinking about smash burgers. And where's that damn flyer? I knew I wouldn't be able to.
[01:01:31] Speaker A: Find it whenever I needed to see Elena Marinez. Hey, drew page. GJ king.
[01:01:35] Speaker B: What up? What up?
Okay, here we go. Yeah. Smoke walk parties, smash smashed bacon burgers, wrapped dogs, and barbecue Sammy snow. Come on, y'all, pull up, man. Show.
We will have our own food and drinks at the smoke walk, but if you want, like, we're all in the vicinity of all those other food trucks and stuff.
[01:02:01] Speaker C: You don't like what we got going on, man? There's a whole food truck roll right. Right behind us, man.
[01:02:06] Speaker A: It's awesome. That's good. It's good. You got that going on. Is there anything else you guys like to share? Almost. Coming up on an hour. Hour.
[01:02:12] Speaker B: She I'm good, man. That's all you got?
[01:02:14] Speaker A: She yeah, yeah, I got stuff on here, but we just kind of went off the rails. I was like, it's just.
[01:02:23] Speaker C: Not wrong with that.
[01:02:24] Speaker A: Well, yeah, it's awesome, man. Thanks for coming on, you guys, and for the invite. Last time you came on, I was. I didn't know if you were gonna actually still do this one, because remember, I invited. Yeah, yeah, yeah.
[01:02:36] Speaker B: You can bring me back, and we can run over those next ones later on.
[01:02:39] Speaker A: Yeah, right on. That sounds good. Sounds good. Well, if nothing else, you guys will say later on.
Yeah, go ahead.
[01:02:46] Speaker B: Shout out to all the rod and hot podcast members, man. It's too many y'all to name, so I ain't gonna even name all y'all. Shout out to all the rotten hot podcast supporters. You know I'm saying shout out to everybody that's tuned into this video watching from my facebook page. Shout out to everybody watching on behalf of droopy. You know, I'm saying, to all the Corpus Christi originals followers, you know I'm saying, hey, we are doing this podcast stuff just trying to make a little, some shake out of nothing. You know I'm saying, so shout out to you, Corpus Christi originals. Jesus, you know I'm saying, appreciate you for having us. And once again, shout out to all the riding hot podcast crew and all of our supporters, regardless if you day one or today's your first day.
[01:03:19] Speaker A: Yes, indeed. Follow these guys everywhere. Tick tock, Instagram, Facebook, riding high podcast, follow them.
[01:03:28] Speaker C: We everywhere now.
[01:03:29] Speaker A: Yeah, leave a donate. Leave a donation for these guys. You got some.
[01:03:32] Speaker B: I mean, yeah, we got sponsorship opportunities and all that shit, too. So you could be a sponsor for the news, the off the cush, the sports, the riding hot concert series, anything, individual solo interviews that I do. Shit. So want to be a sponsor? Just hit us up.
[01:03:48] Speaker A: Yeah, we love what we do. We like what we do, and we've obviously been doing it, so just to have that support actually helps out, helps me out, helps them out. And it's just a part of the city and what we're doing. I had a guy today telling me how he liked the podcast and how he listened to it, and he's. It's helping his project out. And I'm sure you guys have people like that as well. So just any donation, whatever, merch, whatever that. That helps out. So appreciate you guys, but, yeah, well, thanks for coming on. You guys stay tuned for the next few podcasts. You guys, I got some people lined up, I think Charles Ligock here, whatever. He's like an artist here in town. So check him out next July 7. Oh, yeah, Vogelberger and barbecue. Check him out. 47 to one barrera drive in Molito Lena off of, was it West Point road out there?
Right off of West Point, Barretta Drive. Check them out. And shout out to Maya back there for making the production look good, making it sound good, and produce sound studios. Appreciate you guys.
[01:04:45] Speaker B: Hell yeah. Shout out, El Dusty, Mandy.
